Ashley Young is currently Music Supervisor for the award- winning creative agency GrandSon.

GrandSon is behind some of the biggest campaigns in A/V, print, and digital entertainment marketing.

Hailing originally from the midwest, Ashley started her career in music as an arts administrator for the Chicago Symphony Orchestra and Columbus Symphony Orchestra. Ashley studied vocal performance and music business at Otterbein University.

She also completed the Berklee College of Music Professional Certificate for Music Supervision.

KuntryKali is a multifaceted music industry professional with over 15 years of experience as an artist, sync consultant, and advocate for independent creators. A Maryland native now based in Los Angeles, he has spent over a decade immersed in the heart of the music industry. Having performed at renowned stages such as SOB’s, A3C, and SXSW, and shared the stage with artists including Curren$y, IDK, The Alchemist, and more, KuntryKali’s foundation in the culture gives him a firsthand understanding of the artist experience — and the business behind it.

That firsthand perspective became a turning point in 2019, when KuntryKali secured his first sync placements and recognized the transformative financial potential of licensing music for film, television, and media. Determined to leverage that knowledge for a broader community of artists, he transitioned into sync consulting and has since become a trusted voice in the space.

KuntryKali currently serves as Sync Licensing Manager at Blaze Unlimited, a sync agency whose placements span major brands and networks including BET, Love Island, Shea Moisture, Amazon, and more. In addition to securing placements, he helps spearhead writing camps held across the country — immersive three-day creative retreats designed to develop sync-ready music with a curated group of artists.

Beyond his agency work, KuntryKali is a dedicated advocate for music education and artist development through his role at I Am Musicology, a nonprofit organization offering mentorship programs and industry panels featuring prominent artists and executives.

Donata Stosyk Kornatowicz is a music supervisor and creative producer with over 15 years of experience connecting brands with the perfect sound. Currently Head of Operations & Music Supervisor (CEE) at Tracks & Fields, oversees music supervision, rights clearance, and business development across Central and Eastern Europe.

Her work has been recognized with industry honors, including Gold and Silver KTR Awards for Best Use of Licensed Music, and recognition at the SHOTS Awards and Music and Sound Awards. Her career spans music supervision, production management, and brand strategy, giving her unique perspective on how sound shapes storytelling in advertising.

On a human level: huge nature and animal lover. Loves gardening, walking barefoot, hiking and everything outdoors.

Music Supervisor, since 2018 she has been collaborating with Cattleya, a leading film and television production company. With over twenty years of experience in the audiovisual industry, she oversees music supervision at every level, from licensing to the creative management of synchronization processes, as well as negotiations with composers, labels, and talent. She holds a degree in PR, Marketing, and Communication from IULM University in Milan, combining artistic and strategic expertise in enhancing the value of music for audiovisual productions.

Giulio Fasano is a Rome-based music supervisor and sync licensing consultant, founder of Piano B Consultancy. With over a decade of experience in the Italian audiovisual industry, he has supervised music for film and television productions distributed by Netflix, Disney+, Amazon, RAI and Sky. His IMDb credits include FolleMente (dir. Paolo Genovese, Disney+), La vita bugiarda degli adulti (dir. Edoardo De Angelis, Netflix) and several features and series currently in post-production. His work spans the full supervision arc — from creative brief and score development to rights clearance, cue sheets and platform deliverables — with a particular focus on sync strategy, production music and international licensing. Alongside his consultancy practice, Giulio teaches Music Business and Music Supervision at Rome Business School, Civica Scuola di Cinema Luchino Visconti in Milan, and 24H Business School. He is also one of the driving forces behind the creation of a Guild of Music Supervisors Italy.

Valerie Biggin is an award winning Music Industry veteran with over 30 years’ experience in music supervision , licensing, recording and orchestral score coordination.

Recent projects include : Netflix series Sweet Magnolias S5 , Hulu series The Season S1 , Netflix series Sullivan’s Crossing S 4, Feature animated film for TOEI Animation, Feature Holiday Netflix Film.

Valerie is a former board member of the Canadian Guild of Music Supervisors and holds a Certificate in Entertainment Law from Osgoode/York University in Toronto and a Certificate in Canadian Copyright Law .

IMDb

thesongrep.com

Currently the Head of Sync with Magnetic Music, I’m an award winning music licensing and music production professional with 15+ years in sync licensing and custom music production for TV, Film, Advertising, Sports, Gaming & Trailers. I’ve licensed music in partnership with global brands, agencies and studios including Netflix, Apple, Samsung, Google, Microsoft, Salesforce, Mercedes, Jeep, Subaru, Miller Lite, HBO, Showtime, NBC, ABC, CBS, FOX, CW, MTV, Amazon, Hulu and Disney to name a few. Awards include 2025 Clios Gold for use of music, 2025 Shots Awards Americas for original music, 2024 Peabody Award Public Service, 2 x Silver Telly, 1 x Bronze Telly, 3 Clios for Music Marketing & Adapted Music.

Jenny Ring is a highly experienced Music Supervisor and the founder of Ring Ring Music, a Stockholm-based music supervision agency established in 2018. After many successful years working as a music supervisor at the advertising agency F&B, she made the move into freelancing, bringing her deep industry knowledge and creative expertise with her.

Jenny has built a strong reputation within the advertising world, but in recent years she has also expanded her work into film and television. Her portfolio includes music supervision for the Netflix hit Tack och förlåt, as well as the TV series A Nearly Normal Family, which became one of Netflix’s most-watched non-English-language series in December.

Through Ring Ring Music, Jenny works across a wide range of projects—from commercials and films to TV series and documentaries—offering services that span creative music strategy, music search, licensing, negotiations, artist collaborations, original composition, and full project management.”

Jon Mizrachi has spent over two decades in the music industry, bringing deep creative and strategic experience to his role leading Bodega Sync, the licensing arm of Symphonic Distribution. Since launching the brand in 2019, he and his team have secured hundreds of placements across television, advertising, film, and video games. Under his leadership, Bodega Sync has built a diverse global roster of independent artists and become a trusted resource for music supervisors and ad agencies.

Prior to this role, Jon spent more than a decade working in creative licensing at Carlin America, one of New York City’s largest independent music publishers. As Creative Director, he secured high-value placements across the company’s extensive catalog, which includes songs such as "I Got You (I Feel Good)," "Happy Together," "Total Eclipse of the Heart," and "What a Wonderful World."

Paris-based music supervisor, sync agent & executive producer working internationally across film, TV and creative productions.

Marco Pesci is an Italian Music Supervisor and Composer with over 15 years of experience across production music and audiovisual projects.

His work spans supervision, composition, production, curation and editing, giving him a solid and hands-on understanding of how music functions within the audiovisual process.

He collaborates with directors, editors and creative teams on music research, selection, editing and adaptation for visual media, contributing to projects across film, TV series, documentary, advertising and trailer work.

His approach combines musical sensitivity with a strong focus on how music works with image, from both a creative and editorial perspective, with a consistent attention to quality, coherence and narrative precision.

Richard is a music supervisor at Sizzer and a musician at heart, with years of experience in the creative and advertising industry. He collaborates with brands, agencies, and directors to shape the sound of their stories, whether through curated tracks or original compositions. Richard's music has been synced in international movies and, as a music supervisor, he has contributed to awarded campaigns for brands like Heineken, Barilla, Lavazza, Migros, Nestlé, WWF and many more.

Simon Landry has been working in the music industry for the last 20 years, as a music supervisor, a music producer and a recording artist. Since 2008, as part of Ubisoft Music, he has been delivering industry-leading music supervision, design, production, implementation, and trailer music services for many Ubisoft studios, on AAA videogame franchises such as Assassin's Creed, Far Cry, Rainbow Six and Avatar. Simon's main Awards & Recognitions include working on the Grammy-winning Score of ''Assassin's Creed Valhalla: Dawn of Ragnarök'' by Stephanie Economou, the Grammy-nominated Score of ''Avatar: Frontiers of Pandora'' by Pinar Toprak, and the BAFTA-winning Score of ''Far Cry 4'' by Cliff Martinez.

Sophie founded Tin Drum Music in October 2011 following a previous 8 years experience in music supervision. Starting out as Creative Director of Huge Music in 2003, an in house music consultancy for WCRS/ Engine, Sophie supervised countless high profile advertising campaigns including Sky, BMW and 3 Mobile.

Sophie then joined Chrysalis Music as Creative Director of synchronisation and subsequently joined Spirit Music Group as Senior Director of Creative Services.

Tin Drum Music is an independent, full-service music consultancy specialising in creative search, negotiation and licensing across all media. Advertising campaigns include E.ON + Gorillaz; A Solar Collaboration, the coveted 2020 Amazon Christmas campaign ‘The Show Must Go On’ directed by Melina Matsoukas and ‘Just For The Taste Of It’ with Grammy award winning artist Thundercat. Feature films include Stone Roses: Made Of Stone (Shane Meadows), Backstreet Boys ‘Show ‘Em What You’re Made Of’ (Stephen Kijak), Get Duked! (Ninian Doff) and ‘Last Swim’ (Sasha Nathwani). Tin Drum have also supervised two TV series, Emmy winning Lost Boys & Fairies which aired on BBC1 and Dreamers

Yujing Zhu AKA Jing is a professionally trained violinist who has performed as a soloist at the Shanghai Concert Hall and collaborated with both the Shanghai Opera House and the Shanghai Philharmonic Orchestra.

Since 2020, she has expanded her musical practice into electronic music, performing as a DJ and collaborating with collectives in Berlin—guiding audiences through rich, powerful sonic journeys. In 2025, she performed at Cannes Lions (YDA).

Alongside her artistic work, Jing brings her deep musicality into production. Since 2022, she's been working as an Music Supervisor & Producer at Tracks&Fields and has contributed to bespoke global campaigns for brands such as Mercedes-Benz, BMW, OPPO, Vivo, Huawei, and Xiaomi. Continuing to evolve as an artist, she also released three original singles in 2025.

Danielle Soury is a music supervisor and senior music producer at Walker Music in Los Angeles, who was just named AgAge's 2026 Music + Sound Company of the Year. She has developed sonic landscapes across mediums, from curating and producing music for award winning advertisements to music supervising Apple TV shows, Amazon Studios films, and projects throughout independent cinema. She is currently music supervising on a Hulu doc series and several indie features, amongst her work on international brand campaigns for Nike, Apple, and Airbnb, to name a few. When she isn't listening to music she loves tending to her vegetable garden and chickens, then cooking with her harvest.

As Executive Music Producer and Head of Film, TV & Animation at PIRATE SOUND, Laura Nikolic leads music strategy and production across a wide range of screen-based projects. With over 15 years of industry experience, she collaborates closely with studios, directors, and producers to ensure each project’s musical direction supports its creative vision. Her credits include serving as Music Director and Music Producer on more than 100 episodes of Thomas & Friends: All Engines Go!, as well as shaping the musical identity of Barney’s World. From directing vocal performances to working alongside composers on underscore, she guides creative teams to deliver cohesive, high-quality results. With a strong foundation in production management, she navigates complex workflows from pre- to post-production with efficiency and care. Passionate about building lasting creative partnerships, she focuses on bringing stories to life through music.